Seppie al Nero: Cuttlefish Stewed in its Ink - The Taste Edit

Seppie al Nero: Cuttlefish Stewed in its Ink

by TheTasteEdit
A close-up shot of a plate of Seppie al Nero – tender cuttlefish pieces stewed in their dark ink, garnished with fresh parsley, set against an old Venetian street backdrop.

Words and photograph by Emiko Davies.

 

Piles of white-fleshed cuttlefish stained with black ink are a common sight at the Rialto market, where both cuttlefish and its ink sac are valued ingredients and often cooked together. The glossy, black ink lends a deliciously briny, even earthy flavour to this dish, but above all, it lends it that deep, dark colour that makes it such a striking dish, especially when served over a bed of pearly white polenta, or stirred through pasta (bigoli, thick noodles – the only traditional Venetian noodle – would be ideal) or risotto. While squid ink (which you can also find sold as a separate ingredient, usually in a jar) may seem like an expensive or superfluous ingredient to some now, this is a dish that characterises cucina povera, the peasant side of Venice’s cuisine – this was once a dish linked to tougher times, when the only thing available to flavour some rice or polenta was the cheap, leftover ink after all the squid was already eaten. If you can, choose smaller cuttlefish for this.

For a more in-depth exploration of Venetian dishes, get your copy of Emiko Davies’ Cinnamon & Salt.

 

Seppie al Nero: Cuttlefish Stewed in its Ink

Print Recipe

Ingredients

  • 60 ml (2 fl oz / 1/4 cup) olive oil
  • 1 garlic clove, peeled and squashed
  • 1 onion, sliced
  • 300 g (10 1/2 oz) cuttlefish, cleaned (see Note) and cut into thin strips
  • 1-2 teaspoons squid ink, or the contents of the cuttlefish’s own ink sac
  • 125 ml (4 fl oz / 1/2 cup) dry white wine
  • 200 g (7 oz) puréed or peeled tinned tomatoes (about half a tin)
  • a few parsley sprigs, finely chopped
  • soft white polenta or crostini, to serve

Instructions

  • Gently heat the olive oil in a wide saucepan and infuse it with the garlic clove for a few minutes, being careful to keep the heat on low so the garlic doesn’t burn but only turns slightly golden. Remove the clove, then add the onion and cook until soft and translucent, about 7 minutes or so. Add the cuttlefish and turn the heat up to medium and cook for about 2 minutes, then add the ink, the wine, tomatoes and a good pinch of sea salt and freshly ground pepper. Bring to a simmer, then turn the heat down to low and cover the pan. Let it cook for about 30 minutes, occasionally stirring and checking for tenderness (a fork should easily pierce the cuttlefish like butter). If it begins to look like the sauce has reduced too much, add some water to top it up. At the last minute, stir through the parsley and taste for seasoning, adding more salt or pepper if needed. The onions and cuttlefish make this quite a sweet-tasting dish. Serve over soft white polenta or atop bread or polenta crostini.

Notes

If you have procured some beautiful, whole cuttlefish and are planning to use the ink sacs inside, proceed carefully so as not to break them. First, pierce the membrane near the large, flat cuttlefish bone (this should be done with a fingernail) and then you can easily pull out the bone. Without this structure in the way, you should now be able to see the innards through the almost transparent membrane – carefully pierce this (again, a fingernail should do it or you can use a small knife, just be careful not to be too enthusiastic with it). Once you open up the cuttlefish this way, the innards will be exposed and you can find the ink sac right at the bottom, an almost glowing, silvery-blue orb. Gently cut it out and set aside on a plate. Cut and remove the rest of the innards. Cut off the tentacles, avoiding the eyes and beak, which you can discard – you can cut the tentacles in half or leave intact if small. Peel the skin off the cuttlefish, which is most easily done from the wings, which you can pull off too. You should be left with a flap of white cuttlefish flesh that you can now cut into thin strips. If you do not have whole cuttlefish with the ink sac or cannot get cuttlefish ink separately, you can also do this without the ink, you’ll simply have a red sauce instead of the characteristic black sauce, but it will still be delicious.

 

Cinnamon & Salt by Emiko Davies (Hardie Grant, £22), Photography © Emiko Davies.

 

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